Gerald Anderson Lutherie Guitar Building School

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Gtrclktr-351
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Gerald Anderson Lutherie Guitar Building School

Post by Gtrclktr-351 »

Spent last week at guitar building school at The Wayne Henderson School of Appalachian Arts in Marion, VA. The instructors were Josh Reese(Moss Ridge Guitars), Marty Howard(Howard Handcraft LLC) and Spenser Strickland(Strickland String Instruments). It was a “brutal” 6 days ranging from 8.5 to 14 hours in the guitar shop. Now the instruments are in the capable hands of Marty and Spenser for finishing. Class will reconvene in Nov. for final assembly and set up.
Josh, Spenser and Marty
Josh, Spenser and Marty
Mahogany back and sides
Mahogany back and sides
Red Spruce top (rosette by Marty Howard)
Red Spruce top (rosette by Marty Howard)
Ebony neck and headstock overlay (inlay by Josh Moss
Ebony neck and headstock overlay (inlay by Josh Moss
Packed in the case to be transported to finishing
Packed in the case to be transported to finishing
"One man's trash is another man's treasure."
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Re: Gerald Anderson Lutherie Guitar Building School

Post by Ridgegrass »

That's really something. I'd love to do a repair/set up class. My luthier is a 4 hour drive away and, although he is very good to me, he is very busy and backed up all the time. I can cut a nut or redo a saddle but not much else. I hope it turns out great for you. What a cool thing to be proud of. J.O'.
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Re: Gerald Anderson Lutherie Guitar Building School

Post by Gtrclktr-351 »

Thanks. I am very proud, but must admit the precision work was done by the professionals.
"One man's trash is another man's treasure."
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Re: Gerald Anderson Lutherie Guitar Building School

Post by Ridgegrass »

As it should be. You're learning. ::tu:: J.O'.
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Re: Gerald Anderson Lutherie Guitar Building School

Post by Gtrclktr-351 »

Ridgegrass wrote: Thu Aug 29, 2024 2:03 pm That's really something. I'd love to do a repair/set up class.
If you are interested...
https://thehenderson.org/build-a-guitar

It is pricey and they only take 6 students per session. All three of the instructors trained under Wayne Henderson and/or Gerald Anderson.

I am living proof that ANYONE can build a guitar in this workshop.
"One man's trash is another man's treasure."
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Re: Gerald Anderson Lutherie Guitar Building School

Post by eveled »

Very cool! Looking forward to the finished pictures.
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Re: Gerald Anderson Lutherie Guitar Building School

Post by Ridgegrass »

Ditto ::tu:: O'.
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Re: Gerald Anderson Lutherie Guitar Building School

Post by Ridgegrass »

By the way, have you ever read a book called "ERIC CLAPTON"S GUITAR"? It's the saga of Wayne building a guitar for Clapton. Fun reading and a real insight on both men. J.O'.
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Re: Gerald Anderson Lutherie Guitar Building School

Post by Gtrclktr-351 »

Ridgegrass wrote: Tue Sep 03, 2024 5:45 pm By the way, have you ever read a book called "ERIC CLAPTON"S GUITAR"? It's the saga of Wayne building a guitar for Clapton. Fun reading and a real insight on both men. J.O'.
I have read that book. I was impressed that Wayne didn't "bump" Clapton's guitar to the front of his list, but made him wait.
There is also a story (urban legend?-not in the book-heard it in Marion) that Wayne reached out to Clapton to set up a meeting to measure Eric's arms so the guitar could be fitted to him. Eric told Wayne he could come to his shop, but didn't want his reputation to cause a disruption. Wayne told Eric it would be OK, that most people around his shop didn't even know who Eric was and that those who did know didn't like his music.
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Re: Gerald Anderson Lutherie Guitar Building School

Post by Ridgegrass »

Man, that's funny! O'.
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Re: Gerald Anderson Lutherie Guitar Building School

Post by Gtrclktr-351 »

I found a better picture of my guitar, albeit from the backside. Josh was testing the neck fitment before moving along.attachment=0]IMG_2390.png[/attachment]
Attachments
Picture stolen from Josh Reese/Moss Ridge Guitars
Picture stolen from Josh Reese/Moss Ridge Guitars
"One man's trash is another man's treasure."
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Re: Gerald Anderson Lutherie Guitar Building School

Post by Ridgegrass »

Looking good so far. ::tu::
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Re: Gerald Anderson Lutherie Guitar Building School

Post by Gtrclktr-351 »

I was planning to go with the typical red stain on the mahogany and clear on the red spruce. After wetting the guitar for the first sanding, the mahogany was glowing and the grain in the red(Adirondack)spruce was a close match to the mahogany. I changed plans and am having natural satin finish on the whole guitar. I won’t get to attach the neck and set up my guitar until November.
"One man's trash is another man's treasure."
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Re: Gerald Anderson Lutherie Guitar Building School

Post by Gtrclktr-351 »

97F85B27-DBA0-49A6-8135-45F96F1A152E.jpeg
Finished assembly yesterday, decided to go with gold Grover tuners. After a professional setup by Josh Reese, it is definitely a sweet sounding OM.
"One man's trash is another man's treasure."
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Re: Gerald Anderson Lutherie Guitar Building School

Post by doglegg »

Gtrclktr-351 wrote: Tue Nov 12, 2024 3:30 am 97F85B27-DBA0-49A6-8135-45F96F1A152E.jpeg

Finished assembly yesterday, decided to go with gold Grover tuners. After a professional setup by Josh Reese, it is definitely a sweet sounding OM.
Wow! Great work! One of a kind with your label 🏷.
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Re: Gerald Anderson Lutherie Guitar Building School

Post by Ridgegrass »

Nice work. Love to hear it. O'.
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Re: Gerald Anderson Lutherie Guitar Building School

Post by Ridgegrass »

As counterpoint to your brand new guitar, just for fun, here's a 92 year old Gibson L-OO. Built in the depths of the depression in 1932, (dated by the tiny, 5 inch sunburst characteristic of that year.) It cost the small fortune of $25 brand new, and $5 for a case, probably way out of reach for many struggling to feed a family in those hard times. Notice the original catalog page says "14 frets to the body" and the picture shows a 12-fret model. Gibson catalogs are notoriously inaccurate and can't be trusted for dating an instrument.
It's as light as a feather, the top, back, and sides being only .08" thick, it is a phenomenal instrument. Plays like butter and every string is heard in a chord. It was left to me in 1991 by Caleb Linder, who played mandolin with the band for 9 years and sadly, passed at 51 of leukemia. It was his as a boy and I cherish it immensely. I don't play it on stage much, as it isn't a Bluegrass guitar, although it can hold its own. It's tone is better suited to blues and folksy stuff. My finger style and blues buddies love to play it. Jimmy Rodgers and Merle Travis, Josh White and Elizabeth Cotton, Norman Blake and Tony Rice would make it sing.
I was stringing it up and reading your new guitar post and thought you might enjoy seeing it. I'd like to see more pics of your new guitar and how the finish turns out. I hope you enjoy years of great tunes from it. J.O'.

Sorry the pics are sideways, d___ computer! Click on them and they should rotate.
Attachments
IMG_7455.jpg
IMG_7456.jpg
IMG_7457.jpg
IMG_7458.jpg
IMG_7460.jpg
IMG_7462.jpg
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Gtrclktr-351
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Re: Gerald Anderson Lutherie Guitar Building School

Post by Gtrclktr-351 »

Ridgegrass wrote: Tue Nov 12, 2024 8:12 pm As counterpoint to your brand new guitar, just for fun, here's a 92 year old Gibson L-OO. Built in the depths of the depression in 1932, (dated by the tiny, 5 inch sunburst characteristic of that year.) It cost the small fortune of $25 brand new, and $5 for a case, probably way out of reach for many struggling to feed a family in those hard times. Notice the original catalog page says "14 frets to the body" and the picture shows a 12-fret model. Gibson catalogs are notoriously inaccurate and can't be trusted for dating an instrument.
It's as light as a feather, the top, back, and sides being only .08" thick, it is a phenomenal instrument. Plays like butter and every string is heard in a chord. It was left to me in 1991 by Caleb Linder, who played mandolin with the band for 9 years and sadly, passed at 51 of leukemia. It was his as a boy and I cherish it immensely. I don't play it on stage much, as it isn't a Bluegrass guitar, although it can hold its own. It's tone is better suited to blues and folksy stuff. My finger style and blues buddies love to play it. Jimmy Rodgers and Merle Travis, Josh White and Elizabeth Cotton, Norman Blake and Tony Rice would make it sing.
I was stringing it up and reading your new guitar post and thought you might enjoy seeing it. I'd like to see more pics of your new guitar and how the finish turns out. I hope you enjoy years of great tunes from it. J.O'.

Sorry the pics are sideways, d___ computer! Click on them and they should rotate.
Beautiful old guitar
"One man's trash is another man's treasure."
Bill
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